Bill Fulton

Framing my paintings

Yesterday I made frames for three paintings so I can display them in a show sponsored by Poulsbo Artist League, of which I’m a member. Framing can be very expensive if you use a commercial framing shop, so most artists I know use a number of workarounds. In the past, I’ve re-used frames from cheap art I bought at Goodwill, or bought the rock-bottom frames at JoAnn’s.

Recently, however, I was given a whole set of framing supplies by a woman whose husband was a watercolor painter before he died eight years ago. She’s finally cleaning his stuff out of the garage, and offered them to me if I would share them with the members of Poulsbo Artist League, which I’ve done.

So I have many lengths of wood frame stock and a machine to press the special staples into the corners. In my wood shop, I cut the frame pieces to length, then I join them together using the framing machine. I also have a large supply of glass, which I’m learning to cut to size for each frame. Then I use a mat cutting tool which helps me cut clean openings in the mat to highlight the art work. Here are the three paintings I framed up. In the next two weeks, I have two more group shows to enter, so I’ll be framing up eight more pieces of art.

It’s amazing how framing a painting makes it look more professional and complete. A well-chosen mat makes the painting pop right out, and the frame sets it off on the wall. Just framing my paintings makes them look much better to my eye!

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Pencil portraits

This week I’ve been too busy preparing for a workshop I’m giving to do much art. But I have managed to make a few graphite pencil portraits. When I’m under stress, sometimes it’s helpful to make a pencil portrait as an creative outlet. I made these for the Museum/Sktchy app.

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Isis at life drawing

Today our model was Isis, who gave us some great poses. This is my best effort.

There was much consternation in the group today because we had planned to have an art show of our life drawings (i.e., nudes) at the Bainbridge Library from November 1-30. However, because of concerns about possible objections from the public, the library board unanimously voted to nix the nudity. So now we have to renegotiate the show, redesign and print posters, and come up with less controversial art work. I’ll contribute some landscapes and portraits.

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Seattle Chinese Garden

Yesterday I traveled to Seattle to join other artists in Northwest Watercolor Society to paint at the Seattle Chinese Garden. This garden, part of a city-to-city cultural exchange with Chongqing, China, is a lovely recreation of a Sichaun garden with a courtyard, walls, and gates. About 17 people from NWWS came to paint. At noon we stopped and had the “throwdown,” in which we displayed our paintings against the wall for all to see. This is my second painting session with this group, and I found it very enjoyable to paint with other watercolor painters. There is a wide variety of skills and styles, and everyone is very encouraging. I spent most of my time on the painting of the gates, then I painted one of the NWWS members as she painted.

Seattle Chinese Garden
NWWS painter

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Two more Alaska watercolors

I painted two of my favorite subjects yet again. This must be the third painting for the net shed and Emmaus Center on Kupreanof Island. I painted these for sale in St. Germain’s Christmas Bazaar on December 3. I think they show some improvement from the previous versions. I’ll probably paint them both again.

I added figures to the net shed painting but they were too small in proportion to the shed. I daubed them with water and lifted them out with a tissue, then I added them again, larger. In the Emmaus Center painting, I added a red boat next to the dock. This is how I remember the place.

Net shed on Kupreanof Island, Alaska
Emmaus Center on Kupreanof Island

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Life drawing with clothed models

At life drawing this week our model was unable to come (she had a death in the family). So we simply posed for each other (with clothes on!). This is actually quite a nice change and a fresh challenge. I enjoyed painting my friends. When it was my turn to model I discovered that 15 minutes is an eternity when you can’t move! We kept all the poses to 15 minutes rather than our usual 20 minute poses, so I had to work quickly.

I’ve been painting with this group since 2013 (we had a year off because of Covid). There are usually about ten of us who meet in a small building tucked into the trees at Strawberry Hill Park in Bainbridge Island. The class is sponsored by the Bainbridge Island Parks and Rec program. Our models are professionals who come on the ferry from Seattle. One of us volunteers to pick the model up at the feery which arrives just before we meet.

Allison, partly retired art history professor
Gregg, retired from teaching art and other subjects in an alternative high school
Thea, professional artist
Ellen, retired math professor

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Loosening up

Today I painted two watercolors of subjects I’ve previously painted: the Emmaus Center and the warehouse on Kupreanof Island. It seems that if I paint the same subject over and over, eventually I start to loosen up and the painting looks better. That seems to be the case here.

For my birthday, Katy gave me some handmade watercolor paper that has a lot of character to it. I used it for these paintings and it seems to help me loosen up.

Warehouse on Kupreanof Island
The Emmaus Center on Kupreanof Island

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