This morning I painted several versions of sunflowers, modeling them after a beautiful painting by Beverly Boren, an artist in Texas. My first one was the best, so I made it into a postcard and mailed it to Mom.
The idea is to keep the petals of the sunflower loose but still recognizable, to have some found edges and some lost edges, and to have some light values and some dark values. I’m still learning how to do this. It’s so darned hard!
Last week I was in the Georgetown neighborhood of Seattle for a plein air painting session with other artists from Northwest Watercolor Society. I took a photo of Jules Mae’s Saloon, a classic oldtime saloon with polished wood bar and dark floors. Today I tried to make a loose, impressionistic painting of the saloon. It’s hard to keep the watercolors free and loose while at the same time getting proportions, values, and colors right. I didn’t come close to my expectations, but I learned a lot.
Jules Mae’s Saloon Read More »
Last week when I went to Seattle, I made a pencil sketch of a man waiting in line at the ferry terminal. Today I spent nearly the entire day trying to duplicate that sketch in watercolor, without using any pencil lines. I made 11 attempts, with this one being the best. I don’t understand why I can make a quick pencil sketch without any problem, but trying to make the same sketch in watercolor is a hundred times harder. Both versions are below.
Watercolor sketch of man at ferry terminal Read More »
I found a watercolor by Carles Pellejero that I liked and made a copy of it. I like the looseness of it and the lost edges, especially where the bottom of the building merges into the street. The figures were merely suggestions but they read clearly.
I also made a watercolor of three guys on a road crew. A few weeks ago, I took a photo of them shoveling gravel out of a truck as it moved slowly along the shoulder. Uploaded this to 30x30directwatercolor on Facebook and IG. 30x30directwatercolor is an online group that paints a direct watercolor every day and shares it with the group. Direct watercolor means drawing directly with the brush, without pencil lines. It’s a great way to improve your watercolor skills.
Copy of Carles Pellejero watercolor Read More »
Pretty tired after a long hike yesterday, so I spent this afternoon in the studio working on a watercolor of a photo I found on Instagram. I experimented with mixing greens from various blues and yellows, but eventually came back to my tried and true combination: cobalt blue and quinacridone gold. I made two versions. I think I like the first one best (top photo).
I was trying to get a variety of cool greens and warm greens and get some interesting brush strokes. I used my small mop brush, which holds a lot of paint and makes interesting marks. I’m still learning how to use it.
I took the ferry to Seattle to join about 18 others from the Northwest Watercolor Society to paint the Georgetown neighborhood in Seattle. It’s a very old part of Seattle that was almost lost to industrialization but has been rejuvenated with an influx of bars, restaurants, and coffee shops. Very hip.
We gathered at All City Coffee at 9:30 and spread out to paint. I started with a lovely old building with arched windows and entries. Then I painted a quick sketch of All City Coffee. At noon we all gathered for the “throwdown”, where we laid out our paintings on the sidewalk for all to admire. I met several new friends. What fun!
Georgetown neighborhood in Seattle Read More »
The Drift Inn is the oldest operating bar in Kitsap County, according the the white-haired gentleman outside who asked me what I was painting. He’s the brother of the owner. “I retired ten years ago and now I’m working harder than ever for my brother, for less pay,” he said.
I like the Drift Inn because it’s located on a short block of bars and cafes between the Bremerton ferry terminal and the Navy shipyard. So there’s always a lot of foot traffic on the sidewalk. It’s a bustling area.
I like the general feel of this painting with the shadows on either end and the figures on the sidewalk. I wish I had connected some of the figures together, because there were a lot of people walking in groups. Not bad for a morning’s work.
While I was painting, three young guys came over to see what I was doing. Two of them were black guys hanging out on the sidewalk, and one was an illustrator who works at the shipyard. I enjoyed talking with them.
After I got home, I painted it again without any pencil lines for #30x30directwatercolor2022.
For my contribution to the 30x30directwatercolor challenge, I painted this boat from a photo I took in Petersburg, Alaska, a couple of years ago.
Painting directly with the brush (no pencil lines) meant that my boat is a bit clumsy, but I’m pleased with the dark values below the boat and on the pilings. I used my mop brush to do this painting. It holds a lot of water and pigment, and it helps connect and unify the painting.
Fishing boat on the grid Read More »
I made this painting to show the wetness of a typical road in Kitsap County when its raining. I used a lot of paint and water to help the pigment flow down the painting.
Rainy day in the Pacific Northwest Read More »
I joined other Plein Air Washington Artists at Fishermen’s Terminal in Seattle today. It involved getting up early and driving to Bainbridge Island, taking the ferry to Seattle, then the bus to Fishermen’s Terminal. I got there in plenty of time to meet other painters and start painting.
There are hundreds of boats to paint, with lots of colorful compositions available. I chose the Fishing Vessel Admiral and made a watercolor. Luckily I got it done quickly, because the boat moved shortly after I finished. Then I painted two seine skiffs moored between two larger vessels, but my painting was muddy and belabored.
Several of us ate lunch together in the terminal building breezeway, then I made another painting of a seine boat. I was tired by this time. I walked back to the bus stop, caught the bus to Seattle and the ferry terminal and got home in time for dinner. It was a good day of painting with painter friends.
Fishermen’s Terminal with PAWA Read More »