dock

From plein air to studio

In September, I painted several plein air paintings at La Push, a small fishing village on the outer coast of Washington. Now I’d like to enter an art show that asks for a plein air painting plus a studio painting developed from the plein air painting. The idea is to contrast the immediacy of the in-the-field effort against the more leisurely and controlled environment of the studio.

One of my plein air paintings was a painting of a boat at the fish dock in La Push, so I used it as my starting point. I painted 8 more paintings of the same subject. Each time I painted it I was unsatisfied, but I learned something on each attempt. Below you can see the finished product, and below that you can see some of my earlier versions.

I love the harbor at La Push. It’s a dramatic scene, with James Island just out to sea from the harbor, and you can see the swells from the open ocean crashing against the outside of the island. As soon as the boats leave the harbor, they encounter the open ocean. It’s not a place for a faint-hearted fisherman.

My final version
My first version, made standing in the harbor parking lot.
Experimenting with different colors.
Six of my many attempts to make this painting. All are 11 x 15 inches.

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Fishing boat at Port Townsend dock

A few years ago I took a photo of a fishing boat at a dock in Port Townsend. Yesterday and today I made two paintings of this boat. On my first attempt, I was dissatisfied with the pilings under the dock. They’re just grey, without any local color. My teacher, Eric Wiegardt, has told me twice to add color to my shadows. Also the proportions of the cabin on the boat aren’t quite right. So I decided to paint it again. On the second attempt, I got more color in the shadows and the proportions of the boat are better.

First attempt
Second attempt

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Oyster company dock

In Eric Weigardt’s watercolor class last Saturday, he painted a demo painting of an oyster company’s dock. I painted a small copy (7 x 10 1/2 inches) yesterday, and painted two larger copies (11 x 15) today. Eric emphasized the single-point perspective that draws the eye to the figures, and the washes on the side of the buildings. These washes are made up of blue, yellow, and red to give a rainbow effect. I think my first, smaller painting was my best. I’m trying to use big washes and stay loose.

7 x 10 1/2 inches
Second attempt 11 x 15 inches
Third attempt 11 x 15 inches

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