View from a clearcut

Most people don’t think of a clearcut as a subject for a painting, but when I crested the ridge over Port Hadlock recently, I looked back to see a sprawling view of Puget Sound, framed with an island of trees left by the loggers. What could be more Pacific Northwest than a clearcut view? I took some photos and came back to my studio to paint the scene. My first attempt had too many hard edges, so I painted it again with some soft edges. Here’s my second painting, with the first attempt below it. You can see how I let the bottom edge of the clump of trees on the left blend into the yellow below, and I let the edge of the far gray mountains blur into the sky. I also added some purple to complement the field of yellow in the clearcut.

Here’s my first painting with the harder edges:

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